Originally posted at LoudLoopPress.com on October 19, 2010

I’ve never had the pleasure of visiting the Flat Iron while it’s busy, but Scott Lucas — frontman for Local H and Scott Lucas & The Married Men — assures me the place is packed after 2 a.m.

We’re sitting in the heart of Wicker Park not far from the hustle and bustle of six corners. The area is not only Lucas’ home base in the city, but where he works; Lucas played a headlining show a few feet down the street at North Milwaukee and Honore during Wicker Park Fest and across the street at the Double Door this past New Year’s Eve, both with Local H. Lucas also played an in-store with his solo project the Married Men at Reckless Records back in February.

However, we find ourselves sitting at a tiny table in the darkened bowels of the Flat Iron because Lucas has, not one, but two EPs releasing on Tuesday, October 19. The first being Local H’s Awesome Mix Tape #1 with his hard rock band of over 15 years Local H and the second being Absolute Beginners with his romantic folk-rock solo project Scott Lucas and the Married Men.

“I’m psyched because I can see everything coming into focus for both bands,” Lucas said. “It’s sort of stunty but it means more to me to put them out on the same day rather than one EP.”

The EPs do share one common thread, the songs could all be viewed as covers. While Local H’s samples the wares of other musicians, The Married Men (with the exception of “Absolute Beginners,” originally by David Bowie) sample Lucas’ catalog: two re-worked versions of Married Men songs from their debut George Lassos the Moon and a cover of Local H’s “Hey Rita.”

“These (Local H’s Awesome Mix Tape #1) are just songs that we’ve been playing live for the last decade,” Lucas said. “There wasn’t a whole lot of thought behind it.”

Lucas said that Local H’s Awesome Mix Tape #1 (the title a reference to the film Boogie Nights) was an idea that had been batted around for years. Releasing covers isn’t a strange move for Local H. On its 2003 No Fun EP Local H recorded versions of The Ramones “I Just Want Something to Do” and The Godfathers’ “Birth, School, Work, Death.”

“We didn’t think about the songs (structure) too much,” he said. “That’s the spirit of the EP.”

The one exception to this would be the EPs bonus track, an acoustic version of the Misfits‘ “Last Caress.” Lucas took a different approach to the song because Metallica’s cover was so well-known.

“U2 said, ‘Charles Manson stole ‘Helter Skelter’ from the Beatles – and we’re stealing it back.’ We had the same attitude,” Lucas said. “If you do a cover of a cover, it’s like putting instant coffee in the microwave. You might go back in time and nobody wants that to happen.”

Local H’s Awesome Mix Tape #1 includes a number of songs from TV on the Radio’s “Wolf Like Me” to the Jesus Lizard’s “Puss.” However, Lucas said that there’s one track Local H won’t play live: “Spider Bite” by the UK band Winnebago Deal.

“I think it’s too hard,” Lucas said. “The riff, I don’t have the technique to play it. That’s why we played it on a keyboard.”

Lucas said that he believes just because you can’t pull a song off live doesn’t mean it should stop you from getting creative in the studio. “You don’t want to think like that,” Lucas said. “I don’t like when people think, ‘Oh, I’m not going to make this song so hard because then it won’t be so hard to play live.’”

Lucas cited “24 Hour Break Up Session” from Local H’s 2008 album 12 Angry Months as an example. “It’s really hard to sing,” Lucas said. “It’s tough, but you don’t think about how you’re going to do it (live).”

While Local H’s EP had no thought behind it, The Married Men’s Absolute Beginners EP grew out of a need to measure the band’s growth as performers.

“It was important because we had rushed into the studio (for George Lassos the Moon,” Lucas said. “The band barely knew the songs and if they fucked up, that was the take.

“I wanted to see if we sounded different and capture the energy coming straight off the road,” he said.

Everything appears to be aligning for both of Lucas’ projects. He is currently working on new Local H and new Married Men material simultaneously.

The two bands are mirror opposites, even Lucas testifies to that fact. Where Local H may take the angrier and harder rock route, the Married Men aren’t afraid to slow things down and add a couple of strings and accordion into the mix.

For Lucas, the creative process for both bands comes down to one thing: lyrics.

“When I’m writing a song and the riff comes out, if I can picture it with Local H it goes that way,” Lucas said. “The most obvious is if it’s soft it goes with Married Men, but that’s a boring way to work.”

Opting to shake things up for both bands, Lucas said he is working on a country song with Local H and a song that he describes as “an eight minute epic with a Black Sabbath middle section” with the Married Men.

“The new Local H is sort of snap-shotty, like a document or a state of the union,” Lucas said. “This is where we are and what’s going on around us. We’re trying to talk to people, but not in a cheese ball way.”

To say Scott Lucas is a busy man is an understatement. Before our meeting he told me that he was running late (about 10 minutes) because he came straight from the studio where he was working on new Local H material. It is easy to imagine that he enjoys the lifestyle. With just a mere mention of his electro-rock group Prairie Cartel, Lucas’ face lit up with the possibilities of getting that band back together.

“A couple of people were asking about Prairie Cartel, it kind of made me want to record a new single,” Lucas said. “I kind of got inspired, as if I needed something else to do.”